- PII
- S0236-20070000392-2-1
- DOI
- 10.31857/S70000392-2-1
- Publication type
- Article
- Status
- Published
- Authors
- Volume/ Edition
- Volume / Issue 3
- Pages
- 54-67
- Abstract
- The complex processes of selfobservation and selfcorrection are explored a con dition for fullfledged creativity. The stage of a mirror, or the mechanism of a mirror is interpreted as productive states of the artist’s consciousness in any kind of art. Along with spontaneity and intuition, creativity requires a thirdparty view, grinding and evaluating the work being created. Often this is the artist (actor, musician) him self/herself, his/her own detached view that functions as such an outsider, the Other. Thus, the dialogue of the creator is tied to his/her own self, in the process of creation the artist acts as the director of himself
- Keywords
- CREATIVITY, THE STAGE OF THE MIRROR, THE ARTIST'S CONSCIOUSNESS, THE PROCESS OF INTROSPECTION, I AS THE OTHER, "MIRRORED CONSCIOUSNESS", SELF-CORRECTION
- Date of publication
- 01.06.2018
- Number of purchasers
- 8
- Views
- 1050
RAS History & PhilologyRussian archeology
- ISSN (Print) 0869-6063
- ISSN (Online)3034-5774
The artist: The mirror phenomenon.
Индексирование
Scopus
Crossref
Higher Attestation Commission
At the Ministry of Education and Science of the Russian Federation
Scientific Electronic Library